The
negative opinions that some individuals possess towards the protagonist in the
series, Mad Men, Don Draper (Jon Hamm),
are preposterous. Yes, most of us are
aware of his philandering with various women besides his wife, Betty Draper
(January Jones). However, there have
been “Dons” in society dating back to the Eighteenth Century, and this is not
referring to The Sopranos or The
Godfather Trilogy people!
In actuality, The Figaro Trilogy was written in the late 1770’s by
Pierre-Augustin Caron de Beaumarchais.
This trilogy consisted of the comical plays including The Barber of Seville, The Marriage of
Figaro, and The Guilty Mother. The
most well-known third of this saga is the second of the three parts. Ironically, although Beaumarchais wrote The Marriage of Figaro to fulfill the
request proposed by Louis François, Prince of Conti, the play was banned by the
ruling authorities in France. With the
French Revolution right around the corner and tempers between societal classes
erupting, Beaumarchais’s masterpiece served no place in the highly unstable
culture of France. Beaumarchais
austerely highlighted the restrictions in which the different societal class
ranks possessed. It wasn’t for almost a
decade until Mozart remastered Beaumarchais’s play into his own version of The Marriage of Figaro, the comical
opera.
After
viewing the third episode of the first season titled “The Marriage of Figaro”
it seemed that there were definite connections with the opera composed by Wolfgang Amadeus Mozart. As
practically any viewer of this season would know, Don Draper is married to
Betty. In this episode, Don is seen on
the rooftop of Rachel Menken’s (Maggie Siff) department store with Rachel
herself. Throughout the scene, Don leans
in and the two start kissing each other.
Later in the episode, Don is seen full of depression and lacking
fulfillment in his life while he is of attendance at his own daughter’s
(Kiernan Shipka) birthday party.
Since the basis of the plot has been
established, the parallels of the episode with the opera can be discussed. In this opera, the characters that should be
acknowledged are the Count, his wife Rosine, Figaro, and his fiancée Suzanne. After three years, the Count grows
uninterested in his wife and their marriage.
Just like Don, the Count grows miserable with his seemingly ideal
life. The Count actually desires to
pursue Figaro’s fiancée. The connection
to make here would be that in a sense Rachel Menken represents Suzanne. All throughout the first season, practically
all of the viewers notice and comprehend the idea that most of the men in the
show are not obedient to their wives.
Personally, the opera, The
Marriage of Figaro, was just the original version of the series, Mad Men, dating back to the Eighteenth
Century.
On a side note, let it be known that the
popular line “Figaro, Figaro, Figaro!” is not actually in the opera, The Marriage of Figaro. However, it is in the prequel, The Barber of Seville, in which this
phrase was coined.
To think that I always thought Figaro was
just the cute kitten created by the Walt Disney Company!
Links referenced:
Great piece, not knowing the history behind the marriage of figaro, besides the music it fits very well into the episode and into the sphere of Mad Men too. I wish i had known about the plot to help compare it to the episode as you did. Good connection to the series but the additional information about the marriage of figaro added a better understanding for it being played in the episode.
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